This is the revised and enlarged edition of the “Catalogue of Lenfilm Studio Feature Films 1918 — 1989”, published in 1991. It contains description of feature films made at the Lenfilm Studio in the period of 1918 — 1997.
The catalogue includes full length films and short films (including TV films) and a number of examination and diploma works made at the studio by students — the future cinematographers.
Each film is provided with information that includes the title, year of production, the basic technical data and characteristics, names of the main authors and actors as well as the brief annotation.
The catalogue includes films made in collaboration with local and foreign studios.
As a rule, the catalogue does not include documentary, educational and made to order films, produced by Lenfilm Studio in different periods of time and in different volumes. The exception was made for documentaries made in the years of 1950 — 1952 and cartoons made in the years of 1920 —1940 and a few others which present, from our point of view, a strong interest for the history of the studio.
For several films (in most cases — for educational, cartoons and films made in the ‘20s) it was not possible to establish the full data, so only part of the information is provided.
The principal source for the information given in the catalogue is the data base of Lenfilm Studio films compiled by a film historian and an editor of the Lenfilm Sudio Dmitry Ivaneyev who was using film screenplays, the films, catalogues and card indexes of the Russian State Film Archives.
The films are arranged in chronological order, according to the year of completion of production. Each title has a number, and index at the end of the catalogue lists titles of all the films in alphabetical order with the number. The catalogue is supplied with supplements, list of films in alphabetical order and index of film directors.
All the films made before 1931 are silent, all films made beginning from 1935 are sound films.
The catalogue was prepared for publication by editors of the Public Relations Department of the Lenfilm Studio Dmitry Ivanayev (films made in 1918 — 1959), Svetlana Kolomoyets (films made in 1960 — 1989), Viktoria Mukhina (films made in 1990 — 1996)...
List of abbreviations used in the catalogue:
b/w — black and white
min. — minutes
1 UPLOTNENIYE (REDUCTION OF LIVING SPACE)
1918, 56 min., b/w
Directors: Alexander Panteleyev, Nikolay Pashkovsky, Anatoly Dolinov, screenplay: Anatoly Lunacharsky, Alexander Panteleyev, camera: V. Lemke
Cast: Ivan Lersky, Dmitry Leshchenko
About a year has passed since the October Revolution of 1917. Things are not going smoothly in the family of an old honored professor. He sympathizes with the revolution, his eldest son, a former military cadet, is the enemy of the revolution, his youngest son is at the cross-roads.. And in addition the professor is forced to give part of his apartment to a worker with a daughter who move to professor’s place from a wet basement.
The first feature film made by Petrograd Cinema Committee, the predecessor of Lenfilm Studio, was shot within several days at the committee’s premises.
2 BORTSY ZA SVETLOYE TSARSTVO TRETYEGO INTERNATSIONALA (FIGHTERS FOR THE BRIGHT KINGDOM OF THE THIRD INTERNATIONAL)
Director: Boris Svetlov, screenplay: Zakhary Grinberg, camera: Friedrich Verigo-Dorovsky
Cast: M. Barash, S. Neradovsky, Anna Panova, Alexander Razumny
Authors of the film tried to give viewers some idea of the essence of class struggle and tell about attempts of bourgeoisie to play off people of different nationalities against each other and thus to disunite proletariat.
3 VSE POD RUZHYO (ALL TO ARMS)
Written and directed by: Boris Svetlov, camera: V. Lemke
Cast: Bulovsky, Volkhonsky, Golubeva, Nikolai Dorian, Krasovsky, Anna Panova
The propaganda film called on working people to resist general’s Yudenich troops in the days when the White Army was attacking Petrograd.
4 POBEDA MAYA (MAY VICTORY)
1919, 16 min., b/w
Director: Boris Svetlov, screenplay: P. Sepp, camera: V. Lemke
The film is centered around contraposition of free life in the young Soviet republic and police
regime in Russia under tzars.
5 PROLETARGRAD NA STRAZHE REVOLUTSII (PROLETARGRAD ON GUARD OF REVOLUTION)
1919, 22 min., b/w
Written and directed by: Boris Svetlov, camera: V. Lemke
The propaganda film made as a report on the subject of “What Will the White Army Bring Us?”. Some theses were illustrated by scenes from life of workers and bourgeoisie.
6 VZYATIYE ZIMNEGO DVORTSA (SEIZURE OF THE WINTER PALACE)
Directors: Nikolai Yevreinov, Konstantin Derzhavin, Alexander Kugel, Nikolai Petrov, Leonid Vivyen, N. Misheyev, film shooting directed by: Boris Svetlov, production designer:Yuri Annenkov
Screen version of mass performance shown on November 7, 1920 on the Palace Square.
The “Proletkult” actors and a crowd of several thousand people took part in the performance.
7 GIMN OSVOBOZHDYONNOMU TRUDU (HYMN TO LIBERATED LABOR)
Pantomime directed by: Alexander Kugel, S. Maslov, film shooting directed by: Boris Svetlov, production designers: Mstislav Dobuzhinsky, Yuri Annenkov
Screen version of mass pantomime of the same title that was shown on May 1, 1920 in Petrograd, near the former Stock Exchange building on the spit of Vasilyevsky Island. Over 4000 people took part in the performance.
8 GOLOD (STARVATION)
Written and directed by: Alexander Ivanov-Gay, camera: Nikolai Kozlovsky
Cast: Vladimir Vikulin, Sergei Shklyarevsky, Yelizaveta Time, Kondrat Yakovlev, Pavel Leshkov
Active villagers together with a young worker who was sent from the town
are fighting to create a commune. Rich villagers are trying to prevent it.
9 LESNIYE BRATYA (FOREST BROTHERS)
Written and directed by: Boris Svetlov, camera: V. Lemke
Screen version of A. Budilev’s story of the same title on revolutionary struggle of Latvian people in 1905.
10 A TAM (AND THERE...)
Written and directed by: Vladimir Maximov, camera: Nikolai Kozlovsky
Cast: Vladimir Maximov
Showing of the film was accompanied by actor’s declamation.
11 DOLYA TY RUSSKAYA, DOLYUSHKA ZHENSKAYA (RUSSUIAN WOMAN’S LOT)
1922, 54 min., b/w
Director: Boris Svetlov, screenplay: Maria Sverchkova, camera: Nikolai Kozlovsky
Village girl Marisha is in love with coachman Yakov. Marisha’s father, a wealthy peasant, does not allow his daughter to marry a coachman. Soon Marisha gives birth to a child. Persecuted by village philistines Marisha plunges with her son into the river.
12 NET SCHASTYA NA ZEMLE (THERE IS NO HAPPINESS IN THE WORLD)
1922, 39 min., b/w
Written and directed by Alexander Panteleyev, camera: Nikolai Kozlovsky
Cast: Roman Apollonsky, Alexander Panteleyev, Alexandra Chizhevskaya, Raisa Mamontova, Sergei Shklyarevsky
Newly-weds Vera and Nikolai live in poverty. By chance Vera meets rich man Obolensky, an old friend of Nikolai, who returned to Russia after spending several years in America. They start dating. During one of their rendezvous Nikolai commits suicide before their eyes. Vera goes mad.
13 OTETS SERAFIM (FATHER SERAFIM)
1922, 54 min., b/w
Director: Alexander Panteleyev, screenplay: Alexander Zarin, camera: Ivan Frolov
Cast: Nikolay Khodotov, Pyotr Andriyevsky, Yelena Tumanskaya, Alexandra Chizhevskaya, Alexander Larikov, Sergei Shklyarevsky
The plot of the film includes story of mother of a worker — member of a secret revolutionary organization. At home mother happens to find at home revolutionary leaflets and decides to take them to the priest.
14 SKAZ O TOM KAK LAPOTNIKI V RAZUM VOSHLI (TALE OF PEASANTS WHO CAME TO THEIR SENSES)
Written and directed by: Alexander Panteleyev, camera: Nikolai Kozlovsky
Comedy film made as a study work of the First Petrograd Group of Cinema Actors deals with awakening of revolutionary consciousness in working people.
15 SKORB BESKONECHNAYA (ENDLESS SORROW)
1922, 80 min., b/w
Director: Alexander Panteleyev, screenplay: Alexander Zarin, camera: Nikolai Kozlovsky, production designer: V. Vorobyov
Cast: Vladimir Maximov, Yelena Chaika, Ursula Krug, Pyotr Kirillov, G. Fyodorov
The film is focused on the story of assistant-professor Korenev. During mass starvation of 1921 — 1922 in the Volga region Korenev’s family died and he got seriously ill. Having recovered he goes with a hospital team to fight starvation.
The documentary sequences shot in the Volga region were included in the film.
16 CHUDOTVORETS (WONDER-WORKER)
1922, 43 min., b/w
Director: Alexander Panteleyev, screenplay: Alexander Zarin, camera: Nikolai Kozlovsky
The comedy is set at the beginning of the 19th century. The Virgin appeared before a soldier who was on sentry duty near a wonder-working icon and gave him an expensive diamond.
17 DVORETS I KREPOST (PALACE AND FORTRESS)
1923, 57 min., b/w
Director:Alexander Ivanovsky, screenplay: Olga Forsh, Pavel Shchegolev, camera: Ivan Frolov, Viktor Glass, production designers: Vladimir Shchuko, Boros Rerikh
Cast: Yevgeny Boronikhin, Yuri Korvin-Krukovsky, Yelena Khmelevskaya, Maria Yuryeva, Sergei Shishko, Gennady Michurin, Lev Dobrovolsky
Loosely based on Pavel Shchegolev’s novel “The Mysterious Prisoner”
Story of tragic fate of Mikhail Beideman, a Peter and Paul Fortress prisoner, who spent over 20 years in a stone cell of Alexeyevsky ravelin.
18 DIPLOMATICHESKAYA TAINA (DIPLOMATIC SECRET)
1923, 65 min., b/w
Director: Boris Chaikovsky, screenplay: Lev Nikulin, camera: Grigory Giber
Cast: Yevgeniya Khovanskaya, Vladimir Maksimov, Oleg Frelikh, Iona Talanov, Ivan Khudoleyev, Vasily Kozhura
Loosely based on Lev Nikulin’s novel “No Accidents”.
Ali Khan, a former Secretary of the Council of Ministers of an invented country of Gulistan, sacked at request of British officials, accidentally gets hold of a document compromising reputation of British ambassador. When the British ambassador discovers that the document disappeared he orders the secretary of the embassy to find it. The chase after Ali Khan begins...
19 YEST KONTAKT! (THERE IS CONTACT!)
1923, 9 min., b/w
Written and directed by: Vladimir Maksimov, camera: Friedrich Verigo-Dorovsky
Cast: Vladimir Maksimov
An experienced aviator tells about history of Russian aviation and urges to restore Russian air fleet. Demonstration of the film, based on archives’ material, was accompanied by declamation of actor Vladimir Maksimov
20 ZA VLAST SOVETOV (FOR THE POWER OF SOVIETS)
1923, 73 min., b/w
Director: Alexander Panteleyev, screenplay: Daniil Gessen, Alexander Litvinov, V. Kartsev, camera: Nikolai Kozlovsky, production designer: Yevgeny Yeney
Cast: Roman Apollonsky, Yuri Korvin-Krukovsky, Alexander Lyubosh, Pyotr Andriyevsky, Clara Klodnitskaya, Alexei Goryushin
Dramatic love story of a worker who gets in love with a White Army spy is shown against a backdrop of historical episodes of the defence of Petrograd in 1918.
21 KOMEDIANTKA (A COMEDIAN)
1923, 57 min., b/w
Written and directed by: Alexander Ivanovsky, camera: Nikolai Kozlovsky, production designer: Viktor Ballyuzek
Cast: Kondrat Yakovlev, Pyotr Andriyevsky, Nina Shaternikova, Sergei Shishko, Yelena Tumanskaya, Yekaterina Korchagina-Alexandrovskaya, Alexander Panteleyev
Loosely based on Nikolai Leskov’s short story “Toupee Artist”
A tragic life story of a serf girl who was an actress.
22 TORGOVY DOM “ANTANTA I KO” (THE ENTENTE AND CO. TRADE HOUSE)
1923, 20 min., b/w
Director: Konstantin Derzhavin, screenplay: Nikolai Agnivtsev, camera:Leopold Verigo-Dorovsky, production designer: Moisei Levin
Cast: Leonid Utesov, Darya Gamalei, An German, Alexander Mgebrov, Konstantin Gibshman
Screen version of mass political grotesque show staged on the Palace Square during October Revolution celebrations in Petrograd.
23 CHASOVNYA SVYATOGO IOANNA (ST. JOHN’S CHAPEL)
1923, 62 min., b/w
Director: Boris Chaikovsky, screenplay: Lev Nikulin, camera: Griogory Giber
Cast: Nina Sokolovskaya, Vasily Kozhura, Vladimir Maksimov, Yevgeniya Khovanskaya, Ivan Khudoleyev, Yelena Chaika, Iona Talanov
Loosely based on Herman Heijermans’s play “The Good Hope” and Victor Hugo’s novel “Toilers of the Sea”.
The story is set in Russia. Two brothers from a poor fisherman’s family are compelled to go to work for owner of a large fishing company. He sends the brothers to his “Lena” boat being perfectly aware of the fact that the old boat can sink any moment. And this is exactly what happens. The brothers perish and the owner of the company gets large insurance and donates part of the money on construction of a chapel in memory of perished fishermen.
24 BEDNYAKU VPROK — KULAKU V BOK (WHAT IS GOOD FOR POOR PEASANT IS BAD FOR KULAK”
The film urged peasants to have their buildings and live-stock insured in Gosstrakh agencies.
25 VANKA — YUNY PIONER (YOUNG PIONEER VANKA)
1924, 46 min., b/w
Written and directed by: Pyotr Malakhov, camera: Leonid Drankov
Cast: Shura Konstantinov, Ursula Krug, Alexander Maseyev, P. Vasilyev
Village boy Vanka dreams of becoming a pioneer. He runs away from home, comes to the city and joins the pioneer organization. Some time later he returns to his village and organizes there a pioneer team.
Director: Mikhail Doronin, screenplay: Lev Nikulin, camera: Leopold Veriogo-Dorovsky
Cast: Mikhail Doronin, Olga Bystritskaya, Yelena Chaika, Oleg Frelikh
A courtier Sergei Shatov meets in the Crimea Asya, the granddaughter a palace gardener, and tries to seduce the girl. He informs police on his rival, accusing the young gardener of preparing assassination of Nicholas II. When Asya finds out about the report she kills Shatov and runs away to the mountains.
27 KONETS RODA LUNICH (END OF THE LUNICH FAMILY)
1924, 80 min., b/w
Director: Oleg Freilikh, screenplay: Lev Nikulin, camera: Friedrich Verigo-Dorovsky
Cast: Ivan Khudoleyev, Vladimir Maksimov, Yelena Chaika, Olga Bystritskaya, Oleg Freilikh, Iona Talanov, Yevgeniya Khovanskaya, Mikhail Doronin
Based on “The Useless Victory”, an early story by Anton Chekhov
Hungarian vagrant musician takes revenge on the countess who insulted her father.
28 KRASNYE PARTIZANY (RED PARTISANS)
1924, 100 min., b/w
Director: Vyacheslav Viskovsky, screenplay: Boris Leonidov, camera: Friedrich Verigo-Dorovsky, production designers: Vladimir Yegorov, Yevgeny Eney
Cast: M. Lomakin, Nikolai Simonov, Ye. Rudina, Vera Vladimirova, Valery Solovtsev
The film tells about the struggle of Siberian partisans against Kolchak’s gangs.
29 N + N + N
1924, 13 min., b/w
Written and directed by: Vladimir Shmidthof, camera: N. Yefremov
Cast: Mark Dobrynin, Irina Kunina, Yu. Daminskaya
Film satirizes “nepmans” (nouveau riches of the 20es), involved in trade speculations and evading from taxation.
30 POKHOZHDENIYA OKTYABRINY (ADVENTURES OF OKTYABRINA)
1924, 35 min., b/w
Written and directed by: Grigory Kozintsev and Leonid Trauberg, camera: Friedrich Verigo-Dorovsky, Ivan Frolov
Cast: Zinaida Tarakhovskaya, Yevgeny Kumeiko, Sergei Martinson, Antonio Tserep, Fyodor Knorre
Oktyabrina, a Young Communist Leager and a house-manager has mechanized her household. She gives instructions to her staff over the radio, the yardman is riding around the premises on a motorbike. She moves one of the tenants, the “nepman” who pretends to be unemployed and does not pay the rent, to the roof of the building. Feeling very depressed the “nepman” opens a bottle of beer. Coolidge Poincare gets out of the bottle. They decide to get hold of the Gosbank cash box, but Oktyabrina finds out about their plan and begins her struggle with the malefactors. With the help of Young Communist Leagers and modern technology Oktyabrina wins the battle.
31 PROSTYYE SERDTSA (SIMPLE HEARTS)
1924, 59 min., b/w
Director: Ivan Khudoleyev, screenplay: Elga Grig, Ivan Khudoleyev, camera: Leopold Verigo-Dorovsky
Cast: M. Barash, Yevgeny Boronikhin, Yelena Chaika, Vladimir Maksimov, Oleg Frelikh
Loosely based on Alfred Tennyson’s poem “The Saved”
The film is set in Russia of the beginning of the XXth century.
Young girl Anna lived in a working-class neighborhood and two young workers, Andrei and Filipp were in love with her. Anna fell in love with Andrei and married him. Soon after that Andrei was drafted to the navy and assigned to serve on a battleship. The ship perished but Andrei managed to survive and stayed for a long time away from his native country. When he finally returned home he found Anna married to Filipp…
32 RUKI PROCH (HANDS OFF)
1924, 79 min., b/w
Director: Mikhail Doronin, screenplay: Mikhail Levidov, camera: Friedrich Verigo-Dorovsky, Pyotr Yermolov, production designer: Ye. Sokolov
Cast: Boris Shlikhting, Ivan Khudoleyev, Mikhail Doronin, Yevgeniya Khovanskaya, Iona Talanov
Soviet workers restore a destroyed factory and struggle against intrigues of White Army
Guards, foreign spies and “nepmans” (nouveau riches of the 20-es). The story is centered around the director of a chemical trust who is persecuted in the Crimea by foreign secret service agents.
33 SAMIY YUNIY PIONER (THE YOUNGEST PIONEER)
1924, 27 min., b/w
Director: Konstantin Derzhavin, screenplay: Anatol Litvak, Konstantin Derzhavin, camera: Albert Kyun, production designer: I. Brif
Cast: Galochka Levina
The lead role is played by a three-year-old girl. The story is centered around “adventures”
of the child at White Army’s rear in the days of Civil War.
34 SERDTSA I DOLLARY (HEARTS AND DOLLARS)
1924, 87 min., b/w
Director: Nikolai Petrov, screenplay: Dukh-Banko (Glikman), Vladimir Korolevich, camera: Nikolai Kozlovsky, Evgeny Mikhailov, production designer: Vladimir Yegorov
Cast: D. Cherkasov, Sergei Shishko, Ivan Lersky, Nikolai Petrov, Maria Babanova, Sofya Magarill
The years of NEP (New Economic Policy). Two persons bearing the same last name live in Leningrad: Ivanov, the draftsman, and Ivanov, the “nepman” (nouveau rich). Jane, an American relative of draftsman Ivanov comes to Leningrad on a visit. At the same time unemployed Harry, an American relative of “nepman” Ivanov also comes to visit his Russian relatives.
Cast: Maria Taut-Korso, Yakov Gudkin, Eduard Ioganson, Gleb Bushtuyev
The film attempted to dwell on the latest methods of treatment for inflectional diseases in contemporary medicine.
36 TSVETOCHNITSA (FLOWER GIRL)
1924, 18 min., b/w
Written and directed by: Pyotr Malakhov, camera: Viktor Vishnevsky
Cast: P. Shidlovsky, O. Glukhova, Vladimir Yerofeyev, Anatoly Vladimirov
37 CHAI (TEA)
1924, 7 min., b/w
Written and directed by: Vyacheslav Viskovsky, camera: Friedrich Verigo-Dorovsky
Cast: Nikolai Shmidthof, Maria Dobrova, Yekaterina Podolskaya, Friedrich Ermler
Film mocks the everyday life of “nepmans” (nouveau riches of the 20es).
38 AERO EN TE – PYATDESYAT CHETYRE (AERO NT — 54)
1925, 61 min., b/w
Director: Nikolai Petrov, screenplay: N. Surovtsev, camera: Albert Kyun, production designer: Alexei Utkin
Cast: Yekaterina Korchagina-Alexandrovskaya, Vladimir Voronov, Alexander Orlov
The film tells about creation of the first Soviet aviation engine.
39 V TYLU U BYELYKH (AT THE WHITE ARMY’S REAR)
1925, 80 min., b/w
Director: Boris Chaikovsky, Olga Rakhmanova, screenplay: Nina Agadzhanova-Shutko, camera: Friedrich Verigo-Dorovsky, Grigory Giber, production designer: Yevgeny Yeney
Cast: Nikolai Kutuzov, M. Brusak, Sergei Minin, N. Savskaya, Ivan Khudoleyev, Olga Rakhmanova
The film tells about the struggle of bolsheviks against White Army troops in one of towns on the Black Sea coast in the days of the Civil War.
40 VZDUVAITE GORNY (ADD HEAT TO FURNACES)
1925, 61 min., b/w
Director: Vladimir Kasyanov, screenplay: Sergei Garin, camera: Alexander Ryllo, Alexander Sigayev, production designer: A. Goncharsky
Cast: Nikolai Simonov, Pyotr Kuznetsov, Natalya Razumova, Sergei Troitsky
The film tells about the struggle of Leningrad Baltiysky Factory workers with saboteurs.
41 DAYOSH RADIO! (LET THERE BE RADIO!)
1925, 21 min., b/w
Written and directed by: S. Grunberg, Sergei Yutkevich, camera: Albert Kyun, production designer: Sergei Yutkevich
Cast: Boris Poslavsky, Pyotr Repnin
Eccentric comedy popularizing radio.
42 DEVYATOYE YANVARYA (THE NINTH OF JANUARY)
1925, 98 min., b/w
Director: Vyacheslav Viskovsky, screenplay: Pavel Shchegolev, camera: Andrei Moskvin. A. Dalmatov, production designer: Alexei Utkin
Cast: Yevgeny Boronikhin, Alexei Bogdanovsky, Nikolay Simonov, V. Borozdin, A. Yevdakov, Tamara Glebova
The film tells about development of revolutionary tendencies among Russian workers at the beginning of the century, which resulted in the strikes at Obukhovsky and Putilovsky Works in St. Petersburg and the march of workers to the tsar’s palace and shooting down of peaceful demonstration by troops on January 9, 1905.
43 MINARET SMERTI (MINARET OF DEATH)
1925, 61 min., b/w
Director: Vyacheslav Viskovsky, screenplay: Alexander Balagin, Vyachslav Viskovsky, camera: Friedrich Verigo-Dorovsky, Svyatoslav Belayev, production designer: Alexei Utkin
Cast: N. Vendelin, V. Baranova, Oleg Frelikh, N. Dzhalilov, Olga Spirova, Iona Talanov
Loosely based on 16th century Bukhara legend. Dzhemal, daughter of the khan of Khiva, is going from Bukhara to her native Khiva. The caravan is attacked by bandits. The leader of the gang is enchanted by the beauty of Dzhemal, but the prisoner rejects love of the robber.
Soon Dzhemal and her foster sister manage to escape. Wandering in scorching desert girls meet Djigit (skillful horseman) Sadyk.
44 MISHKA ZVONOV (MISHKA ZVONOV)
1925, 54 min., b/w
Director: Pyotr Malakhov, screenplay: Sergei Lebedev, Svyatoslav Belyaev, camera: Albert Kyun, production designer: Pavel Mikhelson
Cast: Shura Konstantinov, V.Voyeikov, Elena Tumanskaya, Sergei Glagolin
The film is centered around the adventures of a homeless peasant boy who came to Leningrad.
45 MISHKI PROTIV YUDENICHA (MISHKI AGAINST YUDENICH)
1925, 25 min., b/w
Directors: Grigory Kozintsev, Leonid Trauberg, screenplay: Irina Kunina, Grigory Kozintsev, Leonid Trauberg, camera: Friedrich Verigo-Dorovsky, production designer: Yevgeny Yeney
Cast: Shura Zavyalov, Polina Pona, Sergei Gerasimov, Andrei Kostrichkin, Yevgeny Kumeiko, Yanina Zheimo
Made in the genre of eccentric comedy the film tells about amazing adventures of the newspaper boy Mishka who found himself in the headquarters of General Yudenich.
The film tells about the activities of criminal investigation department, about its laboratories and the latest achievements of science which help detectives to find criminals. The story is based on the investigation of a murder case.
51 PALACHI (EXECUTIONERS)
1925, 90 min., b/w
Director: Alexander Panteleyev, screenplay: Mikhail Rakitin, camera: Nikolai Kozlovsky, Albert Kyun, production designers: Alexei Utkin, Vladimir Yegorov, I. Brif
Cast: Pyotr Kuznetsov, Yuri Korvin-Krukovsky, Sergei Shishko, Yevgeny Studentsov
Heroism and staunchness of revolutionary fighters contrasts with immoral nature of a
degenerating noble family.
52 PETUKHI (ROOSTERS)
1925, 39 min., b/w
Director: Pyotr Malakhov, screenplay: Vadim Yunakovsky, camera: Sergei Lebedev, Albert Kyun, production designer: Pavel Mikhelson
Cast: V. Vadimov, Iona Talanov, Shura Konstantinov, Maria Bernatskaya
The first years of the NEP (New Economic Policy). Peasants got sick and tired of endless quarrels between village priest Agafangel and deacon Gormoniy. The peasants decided to move both clergymen out of the village.
53 PUTESHESTVIYE TRUDOVYKH KOPEYEK (TRIP OF HARD-EARNED MONEY)
1925, 59 min., b/w
Director: Boris Svetlov, screenplay: B. Ivanov, M. Gagarsky, Vladimir Yakovlev, camera: Alexander Ryllo, Leopold Verigo-Dorovsky
The film is made as a visual aid to popularize the purpose of the common labor tax collected from Soviet peasants in the 20es.
54 RADIODETEKTIV (RADIO-DETECTIVE)
1925, 22 min., b/w
Written and directed by: Semyon Timoshenko, camera: Viktor Glass, production designer: Nikolai Akimov
Cast: A. Matov, Roman Rubinstein
The film popularizing radio is centered around adventures of the “nepman” (nouveau rich of the 20es) evading from paying taxes and caught with the help of radio.
Director: Boris Svetlov, screenplay: Vladimir Shmidthof, camera: Leopold Verigo-Dorovsky, production designer: A. Goncharsky
Cast: Nikolai Petrov, Irina Kunina, A. Nilin
The film advertises products of Lentabaktrest.
56 SON STOROZHA (WATCHMAN’S DREAM)
1925, 7 min., b/w
Written and directed by: Vladimir Shmidthof, camera: Leopold Verigo-Dorovsky
Film made as advertisement of Lentabaktrest.
57 SORVALOS (FAILURE)
Written and directed by: Boris Svetlov, camera: Leopold Verigo-Dorovsky, production designer: A. Goncharsky
58 STEPAN KHALTURIN (STEPAN KHALTURIN)
1925, 70 min., b/w
Director: Alexander Ivanovsky, screenplay: Pavel Shchegolev, camera: Ivan Frolov, Friedrich Verigo-Dorovsky, production designers: Alexei Utkin, Vladimir Yegorov
Cast: Alexender Morozov, A. Raupenas, Nikolai Shmidthof, Vera Kuindzhi, Yevgeny Boronikhin, Konstantin Khokhlov, Kondrat Yakovlev, Yekaterina Korchagina-Aleksandrovskaya, Yakov Malyutin, Sergei Shishko, Gennady Michurin
The story is based on the biography of carpenter Stepan Khalturin, one of the leaders of the “Northern Union of Russian Workers”, who prepared assassination of the tsar.
59 TYAZHELIYE GODY (HARD YEARS)
1925, 81 min., b/w
Director: Aleksander Razumny, screenplay: Alexander Rasumny, P. Misheyev, camera: Alexander Razumny, production designer: Alexander Razumny
Cast: Fyodor Bogdanov, O. Lebedeva, Ye. Zhbankov, Vera Vladimirova, Mark Dobrynin, Anatoly Nelidov, Yekaterina Korchagina-Aleksandrovskaya, Ivan Lersky
Moral staunchness of a revolutionary worker is contrasted with immorality of his son affected by corrupting influence of petty-bourgeois surrounding.
60 CHTO, GDE ON KUPIL? (WHAT DID HE BUY AND WHERE?)
Written and directed by: Nikolai Foregger, camera: Nikolai Kozlovsky
61 CHUDO S SAMOGONOM (MIRACLE WITH HOME-BREW)
1925, 14 min., b/w
Director: Vladimir Feinberg, screenplay: S. Kaluzhsky, Vldimir Feinberg, camera: Albert Kyun, production designer: I. Brif
Cast: I. Moskalev, Vera Streshneva, V. Dobuzhinsky, A. Makashev, Shura Konstantinov, Tolya Andreyev
Adventures of two young pioneers who arrived with their dog on a summer vacation at the village and unmasked village moonshiners.
62 BRATISHKA (BROTHER)
1926, 57 min., b/w
Written and directed by: Grigory Kozintsev, Leonid Trauberg, camera: Andrei Moskvin, production designer: Yevgeny Yeney
Cast: Pyotr Sobolevsky, Yanina Zheimo, Sergei Martinson, Sergei Gerasimov
The film tells about a driver who worked for a trust and renovated an old automobile.
63 VOLZHSKIYE BUNTARI (VOLGA REBELS)
1926, 78, b/w
Director: Pavel Petrov-Bytov, screenplay: Ioakim Maksimov-Koshkinsky, Pavel Petrov-Bytov, camera: Sergei Lebedev, production designer: I. Brif
Cast: S. Galich, Pyotr Kirillov, Maria Dobrova, Iona Talanov, Shura Zavyalov
The film tells about the struggle of Chuvash people for their rights int the beginning of the century.
64 VOR, NO NE BAGDADSKY (THE THIEF, BUT NOT FROM BAGDAD)
1926, 9 min., b/w
Director: Vladimir Feinberg, screenplay: Alexander Rodchenko, camera: Alexander Ryllo, production designer: Alexander Rodchenko
Cast: S. Galich
The film advertised products of Lentabaktrest and was made as a parody on film advertising.
65 DEKABRISTY (THE DECEMBRISTS)
1926, 99 min., b/w
Director: Alexander Ivanovsky, screenplay: Pavel Shchegolev, Alexander Ivanovsky, camera: Ivan Frolov, production designer: Anatoly Arapov
Cast: Vladimir Maksimov, Yevgeny Boronikhin, Boris Tamarin, Gennady Michurin, Sergei Shishko, Nikolai Lebedev, Varvara Annenkova
Love story of Annenkov, a participant of 1825 revolt of nobility, and Paulina Goeble.
66 DETI BURI (CHILDREN OF THUNDERSTORM)
1926, 72 min., b/w
Director: Friedrich Ermler, Eduard Ioganson, screenplay: Nikolai Molodtsov, V. Mankovsky, Vladimir Yakovlev, camera: Naum Aptekman, production designer: Yevgeny Yeney
Cast: Sergei Glagolin, Maria Taut-Korso, Valery Solovtsov, Yakov Gudkin, Zinovy Drapkin, Veronika Buzhinskaya
The film tells about the participation of young people in the defence of Petrograd from White Army troops commanded by General Yudenich during the Civil War.
67 KARYERA SPIRKI SHPANDYRYA (CAREER OF SPIRKA SHPANDYR)
1926, 60 min., b/w
Director: Boris Svetlov, screenplay: G. Batargin, camera: Friedrich Verigo-Dorovsky, production designer: A. Goncharsky
Cast: Leonid Utesov, Nina Zheleznova, Anatoly Nelidov, Yekaterina Podolskaya, Nikolai Shmidthof
Spirka Shpandyr, a petty crook and a swindler after serving a prison term escapes from the Soviet country. Abroad the swindler immediately finds common language with the police and becomes a paid police agent. He provokes all kinds of conflicts between capitalist government officials and Soviet missions. Spirka pretends to be a priest, a worker and, finally, a baron. This is how Spirka Shpandyr, a swindler and provocateur, the pride of Russian White emigration makes his brilliant career abroad.