Excerpts from Nathaniel Hawthorne’s The Scarlet Letter
Chapter 1: The Prison Door
A throng of bearded men, in sad–colored garments and grey steeple–crowned hats, inter–mixed with women, some wearing hoods, and others bareheaded, was assembled in front of a wooden edifice, the door of which was heavily timbered with oak, and studded with iron spikes.
The founders of a new colony, whatever Utopia of human virtue and happiness they might originally project, have invariably recognized it among their earliest practical necessities to allot a portion of the virgin soil as a cemetery, and another portion as the site of a prison. In accordance with this rule it may safely be assumed that the forefathers of Boston had built the first prison–house somewhere in the Vicinity of Cornhill, almost as seasonably as they marked out the first burial–ground, on Isaac Johnson’s lot, and round about his grave, which subsequently became the nucleus of all the congregated sepulchers in the old churchyard of King’s Chapel. Certain it is that, some fifteen or twenty years after the settlement of the town, the wooden jail was already marked with weather–stains and other indications of age, which gave a yet darker aspect to its beetle–browed and gloomy front. The rust on the ponderous iron–work of its oaken door looked more antique than anything else in the New World. Like all that pertains to crime, it seemed never to have known a youthful era. Before this ugly edifice, and between it and the wheel–track of the street, was a grass–plot, much overgrown with burdock, pig–weed, apple–pern, and such unsightly vegetation, which evidently found something congenial in the soil that had so early borne the black flower of civilized society, a prison. But on one side of the portal, and rooted almost at the threshold, was a wild rose–bush, covered, in this month of June, with its delicate gems, which might be imagined to offer their fragrance and fragile beauty to the prisoner as he went in, and to the condemned criminal as he came forth to his doom, in token that the deep heart of Nature could pity and be kind to him.
This rose–bush, by a strange chance, has been kept alive in history; but whether it had merely survived out of the stern old wilderness, so long after the fall of the gigantic pines and oaks that originally overshadowed it, or whether, as there is far authority for believing, it had sprung up under the footsteps of the sainted Ann Hutchinson as she entered the prison–door, we shall not take upon us to determine. It may serve, let us hope, to symbolize some sweet moral blossom that may be found along the track, or relieve the darkening close of a tale of human frailty and sorrow […].
The door of the jail was then flung open and from within there appeared, in the first place, like a black shadow emerging into sunshine, the grim and gristly presence of on usher, with a sword by his side, and his staff of office in his hand. This personage prefigured and represented in his aspect the whole dismal severity of the Puritanic code of law, which it was his business to administer in its final and closest application to the offender. Stretching forth the official staff in his left hand, he laid his right upon the shoulder of a young woman, whom he thus drew forward, until, on the threshold of the prison–door, she repelled him, by an action marked with natural dignity and force of character, and stepped into the open air as if by her own free will. She bore in her arms a child, a baby of some three months old, who winked and turned aside its little face from the too vivid light of day; because its existence, heretofore, had brought it acquaintance only with the grey twilight of a dungeon, or other darksome apartment of the prison.
When the young woman—the mother of this child—stood fully revealed before the crowd, it seemed to be her first impulse to clasp the infant closely to her bosom; not so much by an impulse of motherly affection, as that she might thereby conceal a certain token, which was wrought or fastened into her dress. In a moment, however, wisely judging that one token of her shame would but poorly serve to hide another, she took the baby on her arm, and with a burning blush, and yet a haughty smile, and a glance that would not be abashed, looked around at her townspeople and neighbors. On the breast of her gown, in fine red cloth, surrounded with an elaborate embroidery and fantastic flourishes of gold thread, appeared the letter A. It was so artistically done, and with so much fertility and gorgeous luxuriance of fancy, that it had all the effect of a last and fitting decoration to the apparel which she wore, and which was of a splendor in accordance with the taste of the age, but greatly beyond what was allowed by the sumptuary regulations of the colony.
The young woman was tall, with a figure of perfect elegance on a large scale. She had dark and abundant hair, so glossy that it threw off the sunshine with a gleam; and a face which, besides being beautiful from regularity of feature and richness of complexion, had the impressiveness belonging to a marked brow and deep black eyes. She was ladylike, too, after the manner of the feminine gentility of those days; characterized by a certain state and dignity, rather than by the delicate, evanescent, and indescribable grace which is now recognized as its indication. And never had Hester Prynne appeared more ladylike, in the antique interpretation of the term, than as she issued from the prison. Those who had before known her, and had expected to behold her dimmed and obscured by a disastrous cloud, were astonished, and even startled, to perceive how her beauty shone out, and made a halo of the misfortune and ignominy in which she was enveloped. It may be true that, to a sensitive observer, there was something exquisitely painful in it. Her attire, which indeed, she had wrought for the occasion in prison, and had modeled much after her own fancy, seemed to express the attitude of her spirit, the desperate recklessness of her mood, by its wild and picturesque peculiarity. But the point which drew all eyes, and, as it were, transfigured the wearer—so that both men and women who had been familiarly acquainted with Hester Prynne were now impressed as if they beheld her for the first time—was that Scarlet Letter, so fantastically embroidered and illuminated upon her bosom. It had the effect of a spell, taking her out of the ordinary relations with humanity, and enclosing her in a sphere by herself […].
Chapter 2: The Market Place
A lane was forthwith opened through the crowd of spectators. Preceded by the usher, and attended by an irregular procession of stern–browed men and unkindly visaged women, Hester Prynne set forth towards the place appointed for her punishment. A crowd of eager and curious schoolboys, understanding little of the matter in hand, except that it gave them a half–holiday, ran before her progress, turning their heads continually to stare into her face and at the winking baby in her arms, and at the ignominious letter on her breast. With almost a serene deportment, Hester Prynne passed through this portion of her ordeal, and came to a sort of scaffold, at the western extremity of the market–place. It stood nearly beneath the eaves of Boston’s earliest church, and appeared to be a fixture there.
In fact, this scaffold constituted a portion of a penal machine, which now, for two or three generations past, has been merely historical and traditionary among us, but was held, in the old time, to be as effectual an agent, in the promotion of good citizenship, as ever was the guillotine among the terrorists of France. It was, in short, the platform of the pillory; and above it rose the framework of that instrument of discipline, so fashioned as to confine the human head in its tight grasp, and thus hold it up to the public gaze. The very ideal of ignominy was embodied and made manifest in this contrivance of wood and iron. There can be no outrage, methinks, against our common nature—whatever be the delinquencies of the individual—no outrage more flagrant than to forbid the culprit to hide his face for shame; as it was the essence of this punishment to do. In Hester Prynne’s instance, however, as not unfrequently in other cases, her sentence bore that she should stand a certain time upon the platform, but without undergoing that gripe about the neck and confinement of the head, the proneness to which was the most devilish characteristic of this ugly engine. Knowing well her part, she ascended a flight of wooden steps for, and was thus displayed to the surrounding multitude, at about the height of a man’s shoulders above the street.
Had there been a non-Puritan among the crowd of Puritans, he might have seen in this beautiful woman, so picturesque in her attire and appearance, and with the infant at her bosom, an object to remind him of the image of Divine Maternity, which so many illustrious painters have competed with one another to represent; something which should remind him, indeed, but only by contrast, of that sacred image of sinless motherhood, whose infant was to redeem the world. Here, there was the taint of deepest sin in the most sacred quality of human life, working such effect, that the world was only the darker for this woman’s beauty, and the more lost for the infant that she had borne.
The scene was not without a mixture of awe, such as must always invest the spectacle of guilt and shame in a fellow–creature, before society shall have grown corrupt enough to smile, instead of shuddering at it. The crowd was somber and grave. The unhappy culprit sustained herself as best a woman might, under the heavy weight of a thousand unrelenting eyes, all fastened upon her, and concentrated at her bosom. It was almost intolerable to be borne. Of an impulsive and passionate nature, she had fortified herself to encounter the stings and venomous stabs of public contumely, wreaking itself in every variety of insult; but there was a quality so much more terrible in the solemn mood of the popular mind, that she longed rather to behold all those rigid countenances contorted with scornful merriment, and herself the object. Had a roar of laughter burst from the multitude—each man, each woman, each little shrill–voiced child, contributing their individual parts—Hester Prynne might have repaid them all with a bitter and disdainful smile. But, under the leaden infliction which it was her doom to endure, she felt, at moments, as if she must needs shriek out with the full power of her lungs, and cast herself from the scaffold down upon the ground, or else go mad at once […].
Hester undergoes a series of interviews with notable ministers and court representatives of the town while on the scaffold and is sentenced to three hours on the scaffold and a lifetime of wearing the scarlet A on her breast to symbolize her adultery. Hester then is released from prison – where the excerpt below picks up – and is exiled to live outside of town. Chapter 5: Hester at her Needle
Hester Prynne’s term of confinement was now at an end. Her prison–door was thrown open, and she came forth into the sunshine, which, falling on all alike, seemed, to her sick and morbid heart, as if meant for no other purpose than to reveal the scarlet letter on her breast. Perhaps there was a more real torture in her first unattended footsteps from the threshold of the prison than even in the procession and spectacle that have been described, where she was made the common infamy, at which all mankind was summoned to point its finger. Then, she was supported by an unnatural tension of the nerves, and by all the combative energy of her character, which enabled her to convert the scene into a kind of lurid triumph. It was, moreover, a separate and insulated event, to occur but once in her lifetime, and to meet which, therefore, reckless of economy, she might call up the vital strength that would have sufficed for many quiet years. The very law that condemned her—a giant of stem featured but with vigor to support, as well as to annihilate, in his iron arm—had held her up through the terrible ordeal of her dishonor. But now, with this unattended walk from her prison door, began the daily custom; and she must either sustain and carry it forward by the ordinary resources of her nature, or sink beneath it. She could no longer borrow from the future to help her through the present grief. Tomorrow would bring its own trial with it; so would the next day, and so would the next: each its own trial, and yet the very same that was now so unutterably grievous to be borne. The days of the far–off future would toil onward, still with the same burden for her to take up, and bear along with her, but never to fling down; for the accumulating days and added years would pile up their misery upon the heap of shame. Throughout them all, giving up her individuality, she would become the general symbol at which the preacher and moralist might point, and in which they might vivify and embody their images of woman’s frailty and sinful passion. Thus the young and pure would be taught to look at her, with the scarlet letter flaming on her breast—at her, the child of honorable parents—at her, the mother of a babe that would hereafter be a woman—at her, who had once been innocent—as the figure, the body, the reality of sin. And over her grave, the infamy that she must carry thither would be her only monument. Hester Prynne, therefore, did not flee. On the outskirts of the town, within the verge of the peninsula, but not in close vicinity to any other habitation, there was a small thatched cottage. It had been built by an earlier settler, and abandoned, because the soil about it was too sterile for cultivation, while its comparative remoteness put it out of the sphere of that social activity which already marked the habits of the emigrants. It stood on the shore, looking across a basin of the sea at the forest–covered hills, towards the west. A clump of scrubby trees, such as alone grew on the peninsula, did not so much conceal the cottage from view, as seem to denote that here was some object which would gladly have been, or at least ought to be, concealed. In this little lonesome dwelling, with some slender means that she possessed, and by the license of the magistrates, who still kept an inquisitorial watch over her, Hester established herself, with her infant child. A mystic shadow of suspicion immediately attached itself to the spot. Children, too young to comprehend wherefore this woman should be shut out from the sphere of human charities, would creep nigh enough to behold her plying her needle at the cottage–window, or standing in the doorway, or laboring in her little garden, or coming forth along the pathway that led townward, and, discerning the scarlet letter on her breast, would scamper off with a strange contagious fear […]. Chapter 6: Pearl
We have as yet hardly spoken of the infant that little creature, whose innocent life had sprung, by the inscrutable decree of Providence, a lovely and immortal flower, out of the rank luxuriance of a guilty passion. How strange it seemed to the sad woman, as she watched the growth, and the beauty that became every day more brilliant, and the intelligence that threw its quivering sunshine over the tiny features of this child! Her Pearl—for so had Hester called her; not as a name expressive of her aspect, which had nothing of the calm, white, unimpassioned luster that would be indicated by the comparison. But she named the infant “Pearl,” as being of great price—purchased with all she had—her mother’s only treasure! How strange, indeed! Man had marked this woman’s sin by a scarlet letter, which had such potent and disastrous efficacy that no human sympathy could reach her, save it were sinful like herself. God, as a direct consequence of the sin which man thus punished, had given her a lovely child, whose place was on that same dishonored bosom, to connect her parent for ever with the race and descent of mortals, and to be finally a blessed soul in heaven! Yet these thoughts affected Hester Prynne less with hope than apprehension. She knew that her deed had been evil; she could have no faith, therefore, that its result would be good. Day after day she looked fearfully into the child’s expanding nature, ever dreading to detect some dark and wild peculiarity that should correspond with the guiltiness to which she owed her being.
Certainly there was no physical defect. By its perfect shape, its vigour, and its natural dexterity in the use of all its untried limbs, the infant was worthy to have been brought forth in Eden: worthy to have been left there to be the plaything of the angels after the world’s first parents were driven out. The child had a native grace which does not invariably co–exist with faultless beauty; its attire, however simple, always impressed the beholder as if it were the very garb that precisely became it best. But little Pearl was not clad in rustic weeds. Her mother, with a morbid purpose that may be better understood hereafter, had bought the richest tissues that could be procured, and allowed her imaginative faculty its full play in the arrangement and decoration of the dresses which the child wore before the public eye. So magnificent was the small figure when thus arrayed, and such was the splendor of Pearl’s own proper beauty, shining through the gorgeous robes which might have extinguished a paler loveliness, that there was an absolute circle of radiance around her on the darksome cottage floor. And yet a russet gown, torn and soiled with the child’s rude play, made a picture of her just as perfect. Pearl’s aspect was imbued with a spell of infinite variety; in this one child there were many children, comprehending the full scope between the wild–flower prettiness of a peasant–baby, and the pomp, in little, of an infant princess. Throughout all, however, there was a trait of passion, a certain depth of hue, which she never lost; and if in any of her changes, she had grown fainter or paler, she would have ceased to be herself—it would have been no longer Pearl!
This outward mutability indicated, and did not more than fairly express, the various properties of her inner life. Her nature appeared to possess depth, too, as well as variety; but—or else Hester’s fears deceived her—it lacked reference and adaptation to the world into which she was born. The child could not be made responsive to rules. In giving her existence a great law had been broken; and the result was a being whose elements were perhaps beautiful and brilliant, but all in disorder, or with an order peculiar to themselves, amidst which the point of variety and arrangement was difficult or impossible to be discovered. Hester could recognize a wild, desperate, defiant mood, the flightiness of temper, and even some of the very cloud–shapes of gloom and despondency that had brooded in her own heart. They were now illuminated by the morning radiance of a young child’s disposition, but, later in the day of earthly existence, might be prolific of the storm and whirlwind.
The discipline of the family in those days was of a far more rigid kind than now. The frown, the harsh rebuke, the frequent application of the rod, enjoined by Scriptural authority, were used, not merely in the way of punishment for actual offences, but as a wholesome regimen for the growth and promotion of all childish virtues. Hester Prynne, nevertheless, the loving mother of this one child, ran little risk of erring on the side of undue severity. Mindful, however, of her own errors and misfortunes, she early sought to impose a tender but strict control over the infant immortality that was committed to her charge. After testing both smiles and frowns, and proving that neither mode of treatment possessed any calculable influence, Hester was ultimately compelled to stand aside and permit the child to be swayed by her own impulses. Her mother, while Pearl was yet an infant, grew acquainted with a certain peculiar look, that warned her when it would be labour thrown away to insist, persuade or plead.
It was a look so intelligent, yet inexplicable, perverse, sometimes so malicious, but generally accompanied by a wild flow of spirits, that Hester could not help questioning at such moments whether Pearl was a human child. She seemed rather an airy sprite, which, after playing its fantastic sports for a little while upon the cottage floor, would flit away with a mocking smile. Whenever that look appeared in her wild, bright, deeply black eyes, it invested her with a strange remoteness and intangibility: it was as if she were hovering in the air, and might vanish, like a glimmering light that comes we know not whence and goes we know not whither. Beholding it, Hester was constrained to rush towards the child—to pursue the little elf in the flight which she invariably began—to snatch her to her bosom with a close pressure and earnest kisses—not so much from overflowing love as to assure herself that Pearl was flesh and blood, and not utterly delusive. But Pearl’s laugh, when she was caught, though full of merriment and music, made her mother more doubtful than before.
Heart–smitten at this bewildering and baffling spell, that so often came between herself and her sole treasure, whom she had bought so dear, and who was all her world, Hester sometimes burst into passionate tears. Then, perhaps—for there was no foreseeing how it might affect her—Pearl would frown, and clench her little fist, and harden her small features into a stern, unsympathising look of discontent. Not seldom she would laugh anew, and louder than before, like a thing incapable and unintelligent of human sorrow. Or—but this more rarely happened—she would be convulsed with rage of grief and sob out her love for her mother in broken words, and seem intent on proving that she had a heart by breaking it. How soon—with what strange rapidity, indeed did Pearl arrive at an age that was capable of social intercourse beyond the mother’s ever–ready smile and nonsense–words! And then what a happiness would it have been could Hester Prynne have heard her clear, bird–like voice mingling with the uproar of other childish voices, and have distinguished and unraveled her own darling’s tones, amid all the entangled outcry of a group of sportive children.
But this could never be. Pearl was a born outcast of the infantile world. An imp of evil, emblem and product of sin, she had no right among christened infants. Nothing was more remarkable than the instinct, as it seemed, with which the child comprehended her loneliness: the destiny that had drawn an inviolable circle round about her: the whole peculiarity, in short, of her position in respect to other children. Never since her release from prison had Hester met the public gaze without her. In all her walks about the town, Pearl, too, was there: first as the babe in arms, and afterwards as the little girl, small companion of her mother, holding a forefinger with her whole grasp, and tripping along at the rate of three or four footsteps to one of Hester’s. She saw the children of the settlement on the grassy margin of the street, or at the domestic thresholds, disporting themselves in such grim fashions as the Puritanic nurture would permit! playing at going to church, perchance, or at scourging Quakers, or taking scalps in a sham fight with the Indians, or scaring one another with freaks of imitative witchcraft. Pearl saw, and gazed intently, but never sought to make acquaintance. If spoken to, she would not speak again. If the children gathered about her, as they sometimes did, Pearl would grow positively terrible in her puny wrath, snatching up stones to fling at them, with shrill, incoherent exclamations that made her mother tremble, because they had so much the sound of a witch’s in some unknown tongue.
Gazing at Pearl, Hester Prynne often dropped her work upon her knees, and cried out with an agony which she would fain have hidden, but which made utterance for itself betwixt speech and a groan—“O Father in Heaven—if Thou art still my Father—what is this being which I have brought into the world?” And Pearl, overhearing the exclamation, or aware through some more subtle channel, of those throbs of anguish, would turn her vivid and beautiful little face upon her mother, smile with sprite–like intelligence, and resume her play.