Character / hat sketches

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John Cotton – army helmet
Teft – “Afrika Korps cap he had dug up in Greenwich Village”
Goodenow – Hopi headband he beaded himself
Shecker – golf cap (backwards), “given to his father by Arnold Palmer after a round

at Palm Springs”

Lally Brothers – “expensive, identical ten-gallons, the wide brims of which, broken

By rain and neglect, sagged over their ears”

Directions: Each member at your table will roll the dice. Whichever character the dice lands on when you roll, that is the character you are responsible for drawing.

  1. Use a plain white piece of computer paper (no notebook paper)

  2. Drawings can be black and white or in color but must be neat

  3. Top of the page: character’s name

  4. Middle of the page: drawing of the character with their hat

  5. Bottom of the page: Write a paragraph describing how the character’s hat symbolizes who they are as a person. Use at least one quote in your answer that serves as evidence. Use proper parenthetical citation when quoting.

Helpful Information:

(The hats that the characters wear are described in chapter 3 of the novel.)


Helmets are among the oldest forms of personal protective equipment and are known to have been worn by the Akkadians/Sumerians in the 23rd century BC, Mycenaean Greeks since the 17th century BC,[1][2] the Assyrians around 900 BC, ancient Greeks and Romans, throughout the Middle Ages, and up to the end of the 17th century by many combatants.[3] Their materials and construction became more advanced as weapons became more and more powerful. Initially constructed from leather and brass, and then bronze and iron during the Bronze and Iron Ages, they soon came to be made entirely from forged steel in many societies after about 950 AD. At that time, they were purely military equipment, protecting the head from cutting blows with swords, flying arrows, and low-velocity musketry.

Military use of helmets declined after 1670, and rifled firearms ended their use by foot soldiers after 1700[3] but the Napoleonic era saw ornate cavalry helmets reintroduced for cuirassiers and dragoons in some armies which continued to be used by French forces during World War I as late as 1915.[4]

World War I and its increased use of artillery renewed the need for steel helmets, with the French Adrian helmet and the British Brodie helmet being the first modern steel helmets used on the battlefield,[5][6] soon followed by the adoption of similar steel helmets, such as the Stahlhelm[7][8][9] by the other warring nations. Such helmets offered protection for the head from shrapnel and fragments.

Today's militaries often use high quality helmets made of ballistic materials such as Kevlar and Aramid, which offer improved protection. Some helmets also have good non-ballistic protective qualities, against threats such as concussive shock waves from explosions.[10][11]

Many of today’s combat helmets have been adapted for modern warfare requirements and upgraded with STANAG rails to act as a platform for mounting cameras, video cameras and VAS Shrouds for the mounting of Night Vision Goggles (NVG) and monocular Night Vision Devices (NVD).

Beginning in the early 20th century, combat helmets have often been equipped with helmet covers to offer greater camouflage. There have been two main types of covers, mesh nets were earlier widely used, but most modern combat helmets use camouflage cloth covers instead.

By the late 20th century, starting in the 1970s and 1980s, new materials such as kevlar and aramid began replacing steel as the primary material for combat helmets, in an effort to improve weight, ballistics protection, and protection against head injuries caused by blasts. This practice still continues into the 21st century, with further advancement and refinements in the fibers used, design and shape of the helmet, and increased modularity. Early helmet systems of this new design are the American PASGT, the Spanish MARTE, the Italian SEPT-2 PLUS, and British.

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